I awoke at 4:00 A.M. with a mixture of images in my dreams, images easily identifiable from a movie seen on TV yesterday, together with a BBC offering involving unarmed British police as victims. The images of Gandhi, Martin Luther King, Jr. the Kennedy's - the dead Beetle, a lessor sacrifice to a gentle philosophy of peaceful persuasion of the beast by becoming victims, all dead by violence. In my dream I was an unarmed beach patrol policeman whose only badge of authority was a large sunflower pin, with the word “talk” printed on it. My job was to defuse violence by willingly allowing myself to be beaten until the aggressor had worked off his anger and was willing to talk. Jane Goodall and her patience with her chimps (also a recent TV viewing) got folded into my mental omelet and I awoke at the point where I was pondering the question of whether I was obligated to let my passive resistance proceed to the point where I permitted my own death to occur as part of the process of educating the aggressor to the understanding that violence is not productive.
The movie seen earlier was my latest NetFlix offering “Temple Grandin,” which unexpectedly hit many of my most sensitive buttons and I found tears flowing easily and surprisedly while watching the picture. The story, about an autistic young woman, with great compassion for animals, who overcame much difficulty,somehow broke loose some ancient feelings of my own, of fears and failings, due to my “refrigerator” mother and early feelings of fear and insufficiency, things whose sequela haunt me still. Recollection of awkwardness and gaucheness in parties and gatherings of people who seemed me more sophisticated than I and how I was provoked into acts of anger and stupidity as a defense.
The movie other main theme of compassion for animals hit my own level of understanding for animals - memories of Ken and Ginger bringing the vet to their home when it became necessary to put down two of their dogs, but did not want to heighten their anxiety and fear by a trip to the vet and the accompanying signals which would create panic in the dogs. My admiration for my kids for this understanding and compassion is still huge and respectful. “Secret Buddhist.”
The movie focused on redesign of the slaughterhouse to eliminate those things which created or heightened fear in the cattle. Applying her understanding of what frightened animals, the heroine goes about designing the processing of cattle, to the point of killing, to minimize their fear so that their end comes unexpectedly without causing panic; her premise “ we owe them that much.” A lovely attitude in a world which grows more brutish and unfeeling every day with promolgating concepts like “collateral damage” for deaths of bystanders or “preventative war” as a description for invading a country with which we are at peace for latent fears or to resolve perceived insults. Such is the devaluation of our values.
Our two “great wars” of the 20th century provoked some reevaluation of our values and proportion; trying ot find a rationale and justification for the mass killings ordered or tolerated in those wars and to synthesize a philosophy which could encompass those disasters and still present a face of humanity. I think so far we have failed.
In the state I now described as “nearsleep” somewhere between dreaming and reflective semiconsciousness, much of the review takes place with amazing speed, as demonstrated by an occasional time check which reflects only the passage of a few minutes.
So, now provoked out of further attempts to sleep and finding it still too dark to begin my walk, I surrender to the urge to record it all in some dim hope that upon rereading I can glean some sense of it all.